![]() The controls are neatly laid-out and there’s a pulsing Knight Rider-esque faux LCD to show what’s going on in the sequencer section. The first thing you’ll notice about Permut8 is its retro-styled orange GUI, reminding you vaguely of a circuit-bent Tomy toy of a bygone age. ![]() In fact, at times Permut8 can sound more like a distortion or a filter than a delay. The delay time can be modulated and controlled via a pair of step sequencers, which means that the resulting sound is unlike any delay you’ve ever heard. Permut8 is a unique effect based around 12-bit digital delay lines. So when I had the chance to review Permut8 – after witnessing the excited twittering from Tony Senghore and Mason – I jumped at the chance to put it through its paces. No doubt it’s these same qualities that have ensured Synplant and MicroTonic an integral part of many a sonic arsenal for years. Not just uniquely different, but instantly usable and easily affordable. ![]() ![]() Among the endless dearth of super saw upon super saw-stacked EDMoshillated VSTs, it’s refreshing to see someone doing something different. We put the 12-bit orange meany through its paces. Sonic Charge’s Permut8 – a delay-based plugin that embraces the sounds of ‘primitive signal processing hardware’ has been the talk of Twitter. ![]()
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